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results 21-40 of 53 item(s)  page 2 of 3 : ( <<  1  2  3  >> ) :: previous : next
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21. [Bookplate for John Charles Alison Heriot by Graham Johnston] [Bookplate for John Charles Alison Heriot by Graham Johnston] This bookplate's design features, in black ink, an escutcheon, argent (silver), charged on the fess with three cinque foils within an indented bordure. Above the escutcheon is a tilting helmet, charged with a straight wreath and a dexter hand couped at the wrist, which holds a laurel wreath aloft. Decorative vegetative mantling surrounds the escutcheon within the bounds of a rectangular frame. The bookplate designer's initials and the date of creation are hidden among the mantling. Behind the laurel wreath, waves a banner containing the bookplate originator's Latin motto and below the coat of arms is a separate compartment containing the originator's name. A smaller version of this bookplate may also be viewed at BP MUR SL P H475a.

22. [Bookplate for John A. Macdonald] [Bookplate for John A. Macdonald] Black ink on cream paper. Above the escutcheon sits a dexter hand, erased, holding a cross crosslet, gules (red), on a vizored helm with mantling. Escutcheon is divided per quarter. The quarterly field near dexter chief is argent (silver) with a lion rampant, gules, and near sinister chief, or (gold), is a dexter hand, erased, holding cross crosslet, gules. The quarterly field near the sinister base displays a fish naiant on water, vert (green), and near the dexter base, argent, is a lymphad in sable (black), azure (blue), and gules.

23. [Bookplate for James Croil] [Bookplate for James Croil] Printed in black ink on light green paper. It has a border of entwined lines.

24. [Bookplate for J.G. Grieve by William Walker Alexander] [Bookplate for J.G. Grieve by William Walker Alexander] Black ink on cream paper. Border features two parallel thin black lines on the outside with a thicker black line for the inner border. The upper-right hand corner has a microscope in profile against a sun with radiant rays. The microscope sits on a striped platform that tapers down to a point. In the upper-left hand corner is an oil lamp with a burning flame sitting on the same striped, tapered platform. In the centre of the two images is a rectangle with an indented top half. A white border surrounds black and white stripes of inconsistent length. Printed, capitalized, serif black text is printed on top. Below is a scene of a desk in a corner. There are two paintings, one on each wall. The one on the left is a nature scene and the one on the right is a landscape with a house and natural elements. On the right of the second painting is a vertical calendar for December 1963 listing Sunday the 24th to Saturday the 30th. The desk has drawers on both sides and one in the centre, all with handles. On top of the desk in the foregrounded left side is a black telephone sitting face down in the retriever. Behind the phone is a tall, thin plant in a white, hour-glass shaped pot. Next to the plant is a lamp with a short, wide, curved shade. In the centre of the back of the desk are four books, spines facing out, between two bookends. To the right of the books is a tall, thin vase with a scalloped edge holding several leafy flowers. To the right of that vase, in the right corner of the desk, is an analogue clock set in an upright square. The clock is set to approximately 4:05. Foregrounded in the right corner of the front of the desk is a book open to the title page. Across the bottom of the bookplate is a banner with curled ribbon ends. On the banner is stylized gothic font. Below the banner is a decorative row of leaves. In the bottom left hand corner is a small white patch with initials printed in black ink. Handwritten note in pencil on the verso.

25. [Bookplate for J. Harry Smith by William Walker Alexander] [Bookplate for J. Harry Smith by William Walker Alexander] Printed in brown ink on cream paper, the bookplate shows a man in the dress of a 19th-century agricultural laborer against a background of clouds and a landscape of fields, trees, and three buildings (possibly a house, a barn, and an out building). The man holds a basket in his left hand and sows seeds with his right hand. In the left foreground, a lamb frolics next to an open book. The right page of the book reads 'LAMB'S / TALES.' Underneath the open book appears a manuscript upon which rests an inkwell and a quill pen. The date '1942' is written in the bottom left corner of the manuscript. To the right of the book appears a mailbox with 'R. R. / 4' written on the door. On the side of the mailbox appear the words 'Knoll Farm / J. HARRY SMITH.' Below and to the right of mailbox appears an inverted triangle with the initials 'W W' at the base of the triangle and the initial 'A' at the top of the triangle.

26. [Bookplate for Ian Waldie by Alexander Scott Carter] [Bookplate for Ian Waldie by Alexander Scott Carter] In black ink on white paper, a sailboat at sea with a fish depicted in the waves below. Three seagulls are flying around the boat. A wide, bold floral border surrounds the image of the ship, with a few books and a lyre above it.

27. [Bookplate for Henry James Grasett] [Bookplate for Henry James Grasett] Black ink on cream paper. Crest features bow loaded with arrow aimed to the left. Feathers stretch outwards on either side of the base of the bow on a crest-wreath. Shield is argent and sable per saltire, divided with a sable cross. Top and bottom quarters are argent charged with a plant with round top and brush head. Feathery leaves appear at either side of the base. Top feature has two sable stylized decorations featuring roundels three over two atop three lines connected at the top that separate outwards at the bottom. Four of the same decorations are featured in the bottom quarter. Left and right quarters are sable charged with five point stars and a stylized design element similar to those in the top and bottom quarters, but thicker and in argent. The shield is surrounded by a stylized border decorated with various curls. Below the shield, the motto is written in capitalized block letters on ribbon with elaborately curled blackening ends.

28. [Bookplate for George R. Alexander] [Bookplate for George R. Alexander] This heraldic bookplate consists of an or (gold) escutcheon with a galley at its centre. A galley is an ancient vessel propelled by oars, and is frequently used in the heraldry of naval officers. Also on the escutcheon are three cross crosslets fitchy sable -- one in dexter chief, one in sinister chief, and one in precise middle base. Atop the escutcheon is a half-visored helm in profile. Within the helm, one can see what appears to be the face of a cat. The helm is topped by a crest wreath and a horse's head, proper, couped and gules (red). From the helm flows extensive or and gules mantling. Below the escutcheon is a banner containing the latin motto.

29. [Bookplate for Emil Eerme and A. Lavdovsky by Z. Dolatowski] [Bookplate for Emil Eerme and A. Lavdovsky by Z. Dolatowski] In green and black ink, abstract image of what appears to be a highway interchange network.

30. [Bookplate for Emil Eerme and A. Lavdovsky by Z. Dolatowski] [Bookplate for Emil Eerme and A. Lavdovsky by Z. Dolatowski] In black and yellow ink, image consists of an assortment of traffic signs grouped together, five of which are coloured in yellow.

31. [Bookplate for Emil Eerme and A. Lavdovsky by V. Toots] [Bookplate for Emil Eerme and A. Lavdovsky by V. Toots] Stylized cursive letter E inside white circle on a black background formed by one thick letter E, and one thick backwards letter E.

32. [Bookplate for Emil Eerme and A. Lavdovsky by S. Svab] [Bookplate for Emil Eerme and A. Lavdovsky by S. Svab] In black and yellow ink, abstract image of what look like hills or waves. The letter 'L' in the text is inverted, and following a yellow dot there are two 'E's (initials of Emil Eerme) turned on their side, thus resembling two 'M's.

33. [Bookplate for Emil Eerme and A. Lavdovsky by O. Kubse] [Bookplate for Emil Eerme and A. Lavdovsky by O. Kubse] Night scene of human figure seated and reading in front of a tree by the light of the moon. An owl sits on a branch near the top of the tree, outlined by the moon. Another tree is present in the background. Text appears along right side and bottom. Image is set in a double border.

34. [Bookplate for Emil Eerme and A. Lavdovsky by O. Kubse] [Bookplate for Emil Eerme and A. Lavdovsky by O. Kubse] In black ink, watercolour style scene of hills and trees reflected on the surface of a lake. Solid right side and bottom border, and rounded, soft left and top border. Text written vertically along right side border.

35. [Bookplate for Emil Eerme and A. Lavdovsky by O. Kubse] [Bookplate for Emil Eerme and A. Lavdovsky by O. Kubse] In black, forest scene done in watercolour, bordered on sides and base by ruled lines.

36. [Bookplate for Emil Eerme and A. Lavdovsky by J. Svab] [Bookplate for Emil Eerme and A. Lavdovsky by J. Svab] In black and red ink, profile image of an abstract human face with a large eye. Also contains a pair of interlinked uppercase Es below.

37. [Bookplate for Emil Eerme and A. Lavdovsky by A. Lee] [Bookplate for Emil Eerme and A. Lavdovsky by A. Lee] Abstract white-outlined human figure on green background. Background bordered by abstract lines.

38. [Bookplate for Emil Eerme and A. Lavdovsky by A. Lee] [Bookplate for Emil Eerme and A. Lavdovsky by A. Lee] Abstract brown image on an agua-green background. Image includes a musical instrument (possibly a double bass), a human figure, a book, and a picture frame.

39. [Bookplate for Emil Eerme and A. Lavdovsky by A. Lee] [Bookplate for Emil Eerme and A. Lavdovsky by A. Lee] In blue and red ink, abstract image of what appears to be an eye-like shape projecting, from the iris, a beam downwards through two empty eye-like shapes and a third eye-like shape that seems to represent the eyelashes. The beam moves downward beyond these shapes and appears to illuminate a tree-like shape at the bottom. Text appears vertically along left border.

40. [Bookplate for Emil Eerme and A. Lavdovsky by A. Gastmans] [Bookplate for Emil Eerme and A. Lavdovsky by A. Gastmans] In black ink, abstract image of what appears to be a highway interchange network surrounded by a sketched triangle. The triangle forms the point of an arrow shape, and the text appears on its tail. There appears to be signature (possibly of the artist), but it is unreadable.
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results 21-40 of 53 item(s)  page 2 of 3 : ( <<  1  2  3  >> ) :: previous : next
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